Clarissa is a bold, curious exploration of class and colonialism, which, in a sense, works as a Nigerian interpretation of Woolf’s original vision. By Jerry Chiemeke How do you transplant an English literary classic into a uniquely Nigerian context, while preserving the core thematic leanings and s
The Esiri brothers' attempt to transplant Virginia Woolf's modernist introspection into Lagos society raises uncomfortable questions about why African filmmakers still feel compelled to legitimize their stories through European literary frameworks. While "Clarissa" may succeed as cinema, its very existence suggests a troubling creative dependency — when will we stop needing Woolf's ghost to tell our own tales of class, power, and urban alienation? True decolonization of African cinema means trusting that our lived realities are profound enough to stand without Victorian literary scaffolding.
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